Uncategorized ...
THIS WE DO KNOW: I don’t see many movies these days, as most of them just don’t interest me. Back during my younger days, while participating in the male-female courting rituals, I generally kept abreast of popular cinema (and even the not-so-popular “film noire” showings in Manhattan; my ex-wife was quite in tune with the haute culture scene). I went out to the flicks almost every week, and after a year or two they all started blurring together. So today, a film has to be pretty darn exceptional to attract my interest.
I heard some rumblings not long ago that “What The Bleep Do We Know” was pretty darn exceptional. It’s still playing nearby, so I went out to see it the other day. Yea, that film was different all right. I’m not going to do a standard review of it — you can find reviews of What The Bleep all over the Net. The reviews I liked the most were at Yahoo User Reviews. Last I looked, Yahoo listed 237 comments and scores from viewers of What The Bleep. The average score was B minus, but hardly anyone actually gave the film a B minus. Most people either gave it an A or an F. Definitely a “love it or leave it” proposition.
As you might already know, “What The Bleep” is a New Age Buddhist manifesto. It’s sort of a call to faith, in some ways like Mel Gibson’s “The Passion of Christ”. Either you buy into the underlying doctrine or you don’t. What The Bleep’s doctrine of faith is a mélange of quantum physics, pop psychology, brain chemistry, Kantian philosophy, and free agent spirituality (not attached to any institutional religion).
My response to “What The Bleep” is something like the quantum “superposition state” that the movie tries to explain (not very well, incidentally — the basketball court scene was more confusing than anything else). I give it both an A and an F at the same time. No, I don’t average them out to a C or B minus. The movie has turned me into a victim of quantum weirdness. I both love it and hate it at the same time. There are some incredible truths being conveyed, and at the same time some terrible distortions of what life is about.
Since your act of reading this blog is an observation of my quantum state, and since according to physics an act of observation must collapse the two potential quantum outcomes into a single position, my love-it-and-hate-it probability function will now collapse into a definite opinion. OK, it just collapsed into a negative viewpoint. Here’s what I really didn’t like about What The Bleep.
The core story behind Bleep (which probably didn’t even occupy half of the film’s running time) was about a deaf photographer named Amanda. Amanda, played of course by Marlee Matlin, wasn’t very happy with her life; she was always popping some kind of anti-depressant, and took too many liberties at an open bar during a wedding she was working. In the end, though, the wisdom of the “new faith” that was being discussed by a group of scientists and mystics (think of a PBS documentary like Nova) finally seeped its way into her world. Before you know it, she was overcoming her addictions and drawing hearts on her skin with a make-up pencil, showing that she had overcome her poor self image and was now on the path to healing and restoration.
Can I present a somewhat old-fashioned alternative view of what was wrong with Amanda’s life? It’s pretty clear that she was lonely and didn’t have any real friends. She had people all around her, but she didn’t really click with any of them. Her marriage had just ended. She met a halfway decent guy at the afore-mentioned wedding, but she just couldn’t follow-up on it. The girl was in a tailspin, with no real friends and not in a good place to make new ones. Sure, Paxil and Four Roses (it was a Polish wedding) are clearly not the answer; but I have my doubts as to whether breathing techniques and finding one’s inner light are going to cut it either.
“What The Bleep” says that you and you alone are responsible for your fate. One of the talking heads even suggested that old age is caused by bad self-image and negative thoughts. As if it is your own fault if you are weak and creaky at the age of 80. Sure, negativity and stress and loneliness surely accelerate the gray hairs . . . . but come on, get real. This is Planet Earth. You’re never going to escape negativity and stress and loneliness, although you admittedly can (and should) try to control them and deal with them.
What Amanda truly needed was some community; some understanding and caring from the people who were around her. She needed affirmation from others that she was having some tough luck and going through hard times. She needed some reassurance that we all take that lonely walk though “the valley of the shadow” at times in our life. The pop psychologists implied that it was Amanda’s fault that she didn’t have any real friends, and that as soon as the “quantum” negativity was purged from her soul she would start to make some.
I question that. Sometimes in life, you could throw a spitball in any direction and hit a person who you can really relate to. Other times, you go for months and even years without any soul mates in sight (despite being surrounded by people). Even if you’re a bit down about things, you’re gonna have friends when you’re around people you can vibe with. When you’re not, well . . . . . . at least you can expect some sympathy. And not some quasi-guru spouting quasi-science in your face about the effects of focused thoughts on ice crystals.
Final note about What The Bleep: this film is not exactly about entertainment as we usually define it, but there are in fact some entertaining moments. The Polish wedding scenes weren’t bad, at least until the psychedelic polka begins. And the depictions of the internal workings of the brain and the body’s reactions to chemical signals were right up there with the best instructional film that you ever saw in high school biology. Actually, even that stuff got humorous during the part about sex. It all came together (the Polish wedding and the endocrine system response) during a take-off on one of those videos made by the late, great Robert Palmer, to the music of “Addicted to Love”. Yea, even if you could care less about all the quantum hubris and psycho-philosophical babble, the Robert Palmer reference was probably worth the price of admission. It brought back some good memories of pop videos from the 80s. If nothing else, at least the New Age Buddhist types who wrote and filmed “What The Bleep” know a classic video when they see one!